First off, give yourself a pat on the back. You’ve made it this far. You’re reading about typography!
Now take a moment to realize that most of the things you look at every day are type. So before discussing typography, let’s look at it.
Take a moment and just fly through some of these beautiful typographically-based design collections:
As with color, designing well with typography requires using your eyes. Really see the shape of each glyph. Notice the negative space between glyphs. You have more control over these things than you might think. And over the course of the next few chapters, I’m going to show you how.
The basic tools in your toolkit consist of the following:
Font properties
font-family
— inherit, serif, monospacefont-size
— inherit, 18px, 10pxfont-weight
— inherit, bold, 100font-style
— inherit, italicfont-variant
— inherit, small-capsText properties
text-align
— inherit, centertext-decoration
— inherit, underline, overline, line-throughtext-indent
— inherit, 50pxtext-shadow
— inherit, 0 1px 3px redtext-transform
— inherit, uppercaseMiscellaneous
letter-spacing
— inherit, 5pxwhite-space
— inherit, pre preline-height
— inherit, .75emword-spacing
— inherit, 100px 100pxNow that you have a basic idea of what is possible, let’s look at a few combinations of these properties.
Light text colors on dark backgrounds tend to feel as if they have a heavier weight. So with this example of white on purple
, we went with a font-weight: 300
.
Using all uppercased letters can be a powerful effect, but you’ll want to use it sparingly. One thing that can happen with uppercased words is the letters can feel jammed together. This is because the default kerning and letter-spacing is meant for mostly-lowercased words. To compensate, and also to add a little more gravitas, we added a generous letter-spacing: .4em
.
As can be seen in the letter spacing potion, letter-spacing
and text-align
don’t play so nicely together because the spacing is added to the right of each letter. To compensate for this, when using these two properties together, we add a padding-left
to match the chosen letter-spacing (in this case .4em
).
.typography-example-1 {
background-image: linear-gradient(135deg, #723362, #9d223c);
background-color: #9d223c;
color: #fff;
padding: 1em 0;
font-weight: 300;
font-size: 1.8em;
text-transform: uppercase;
text-align: center;
letter-spacing: .4em;
padding-left: .4em
}
In this next example, we show how two lines of text interact with each other.
The first line is given a similar treatment as Example 1, but with a heavier weight of 700
. To contrast this, the second line is given a thinner weight, 300
, an italic
font style, and a lighter color, #888
.
.typography-example-2 {
background: #fff;
color: #000;
border: .5em solid;
font-size: 1.5em;
padding: 1em 0;
text-align: center
}
.typography-example-2 .title {
font-weight: 700;
text-transform: uppercase;
letter-spacing: .4em;
padding-left: .4em
}
.typography-example-2 .author {
color: #888;
font-size: .7em;
font-weight: 300;
font-style: italic;
letter-spacing: .12em;
padding-left: .12em
}
Sometimes you want to have a little fun with type. Lettering.js is a great little tool for doing just that. But if you’re willing to type out a bunch of span
wrappers for every letter yourself, you can do the same sort of thing without javascript!
.typography-example-3 {
border: .2em solid #ff4136;
font-size: 3em;
text-align: center;
padding: .2em;
color: #fff
}
.typography-example-3 span {
display: inline-block;
width: 20%;
padding: .8125rem
}
.typography-example-3 span:nth-child(1) { background: #ff4136 }
.typography-example-3 span:nth-child(2) { background: #ff851b }
.typography-example-3 span:nth-child(3) { background: #2ecc40 }
.typography-example-3 span:nth-child(4) { background: #0074d9 }
.typography-example-3 span:nth-child(5) { background: #b10dc9 }
Hopefully these few examples have given you an idea of what’s possible with the various typographical CSS properties. Typography is such a crucial part of design that a lot of typographical thinking and concepts are embedded in the other chapters. We’ll continue to explore typography as we go.
For more fun with typography, check out the amazing resources below. In particular, glance over Butterick’s Practical Typography[1]. It’s a must-read for anyone with an interest in typography.